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Friday, March 15, 2013

A Downside to Songwriting?


For the past week I've been spending a lot of time thinking and writing about Death Cab for Cutie's fourth album Transatlanticism because I'm working on a piece about its ten-year anniversary. While researching, I found an article in Spin where frontman Ben Gibbard talked about getting sober. What really struck me is how he lumped in the emotionally-draining processes of writing songs with the self-destructive habit of drinking. He went as far to say "Once you realize that a positive act [getting sober] helps to balance out the negative act of being a writer, you become a more balanced person emotionally."

I've talked to a lot of songwriters of the past few years, and I've never heard any of them describe their trade as something negative. Gibbard's quote really fascinated me because most of the time writing is framed anything from a love of storytelling, to therapy, to straight up catharsis. Though, Gibbard's words did bring to mind a George Sands quote I wrote down some time ago: "The writer's trade is a violent, almost indestructible passion. Once it has entered a poor head, nothing can stop it." While I've never written a song, I've written a lot of other things ranging from fiction to lengthy non-fiction features. Weirdly, I've always liked the idea of there being something slightly sinister about writing because it's hard not to wonder how anything that requires so much stress, anxiety, and emotional output could be remotely healthy.

Anyhoodle, I thought this was something worth pondering. Obviously, no, songwriting is not unhealthy. I hope.

Review: 'Wild Chorus' by Anders and Kendall

My favorite thing to say about what happened to Americana in the past ten years is that it came in from the fringes. Check out the other things I said about the genre and where this lovely little album fits in it.

Read more... 

Review: 'Wishbone' by Bobby Long


Bobby Long and I have something in common. We've both written papers on Americana/folk music. Good story, no? Check out what I had to say about his sophomore album.

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Wednesday, March 13, 2013

Vacationer Play Carson Daly



About a year ago I found a band called Vacationer by way of a couple friends, and the band's debut album Gone basically destroyed the remaining weeks of winter in Syracuse, NY.

Vacationer is a little hard for me to explain. Both the band and the album almost qualify as "concept" pieces– Gone is essentially about getting out of town, and the band's sound reflects that in its chilled out vibe. They use samples, loops and retro-sounding beats. You couldn't really say it's pop or rock or electronica or ambient. It's just really addictive, relaxing, catchy music.

When the album came out, I couldn't find out much about them beyond the fact they're from Pennsylvania.  Then Paste Magazine did a short feature on them a little while later and I had some hope they'd pick up steam and become the indie world's newest darlings. Occasionally Vacationer's newsletter rolls into my inbox with tour dates I can't get to, including SXSW this week. Other than that, I don't know that too much else is shaking. Anyway, I have about a hundred questions I'd love to ask them if I ever had the chance, but more than that, I've got a whole love for that album.

That said, I was pretty pleased to see that they played Last Call with Carson Daly at the end of  February. It got by me, but thanks to the Music on the TV section of Grimey's New and Pre-Loved Music's weekly newsletter, I dug it up after all. Check out their performance of two songs from Gone, "Trip" and "Good As New." If you feel about these guys the way I do, you'll want to tell everyone you know about them.

Monday, March 11, 2013

So You're Not at SXSW 2013


Hey, friend. So it's time once again for half the country to funnel into Austin, Texas for the annual South By Southwest Festival. There will be show-hopping, elbow-rubbing, and sadly you won't be there. And you won't be able forget about your misfortune because of your Twitter feed. My God. Your Twitter feed.

But never fear! You can still enjoy some of SXSW from the comfort of your laptop. When life gives you lemons, find a high speed Internet connection. Here are a few ways you can keep up with the music portion of the festival from wherever you are.


+ NPR is streaming both audio and video March 13 and 14 straight from Stubbs and Auditorium Shores. The lineup is as follows:
Wednesday, March 13:

9:10 p.m CT - Waxahatchee
10 p.m. CT - Cafe Tacvba
10:40 p.m. CT - Youth Lagoon
11 p.m. CT - Yeah Yeah Yeahs
12 a.m. CT - Le1f
12:30 a.m. CT - Alt-J


Thursday, March 14:

5 p.m. CT - Jovanotti
6 p.m. CT - Bajofondo
7 p.m. CT - Molotov
8 p.m. CT - Cafe Tacvba


You can also check the NPR site for other streamed events, like Dave Grohl's keynote speech.

+ Both Paste Magazine and NPR are offering free samplers of SXSW music. Check out Paste's Stages on Sixth sampler from NoiseTrade, and NPR's Austin 100.

+ The festival itself is offering SXSWfm again this year, which is basically an online station where you can stream music from acts playing there this week. It's not live, but it's worth checking out. 

+ For any Nashvillians out there wondering why we can't have nice things, here's an in-depth article from the City Paper about Nashville's history with music festivals and if we might ever have one of our own. 

+ Wired's SXSW blog is a pretty cool mix of pictures, quotes and text posted in a Tumblr-esque fashion. So there's that.

+ Oh, and um... #SXSW

The Zombies Play Nashville's War Memorial

Made this with Cinemagram. 
A quick dispatch tonight (this morning?). I got to see The Zombies at Nashville's War Memorial Auditorium. If you don't know, The Zombies are a British group that started recording in the early 60s and are probably best known for their hit song "Time of the Season" though they have many other popular and notable tunes like "She's Not There" and "Tell Her No." The remaining members are Colin Blunstone and Rod Argent, both solid performers who had solo careers of their own when the band broke up. Without getting into a ton (because it's late and I'm tired), it was a great show. Both Argent and Blunstone seemed so satisfied to be performing for a receptive crowd. It was also cool to hear them weave in some of their history in between songs, especially since the audience was by no means solely comprised of Baby Boomers. But wouldn't you know in room full of gray hair, I got stuck next to three elementary-aged kids. Well. Good for them. This would have been a heck of a first concert. Besides sampling the hits and other favorite tracks from the past, they also played new material off 2011's Breathe Out, Breathe In. As someone who is not overly familiar with all of their work, I couldn't distinguish between which songs were old and which were new.

I really want to go on about how Argent wailed on the keyboard, or how Blunstone nailed "Summertime" by George Gershwin, or how the other guys in their band were pros... or even how Nashville's own The Ettes opened and their drummer has to be the hardest working drummer I've ever seen, but really the best way to wrap this up is by saying this: Fifty years later, and The Zombies are still kicking.

Tuesday, March 5, 2013

Mixtape Philosophy: How to Ride a Tornado / 500th Post

I haven't posted anything in a few days because I was trying to scheme up something cool for The Musically Inclined's 500th post.


Well. Here we are. Happy 500th post to us.

Last night while watching the local news, I heard the weather person say that this week is the beginning of Tornado Season. If you grew up in an atmospherically volatile place like Nashville, Tornado Season conjures up a whole range of feelings from anxiety to annoyance. Never been through a bad tornado warning? Picture the Helm's Deep battle from Lord of the Rings. You cower inside while all hell breaks loose outside. And the worst thing is when a storm hits in the early hours of the morning. There were a few years in the 90s when it felt like I was woken up every other night in the spring by epic thunder, lightning, and the general sense that the gods were unhappy.

But the thing is, after 18-ish years of living here, I can't muster up a good fear anymore. Anyway, I thought it would be cool to make a themed mix in honor of the start of the season called How to Ride a Tornado. Themed mixes can be a little on the nose sometimes, but the last one I did (Flight Notes) was pretty fun.

I see this mix as a pre-storm calm down. Most of the songs have some repetitive or ambient quality, good for taming nerves. I'm most excited about "Surrender to the Storm" by Joseph Arthur off his recent 2-part album Redemption City. "Surrender to the Storm" breaks my rules about song length in mixes, but for good reason. At 11 minutes, it's an accurate mix of emotions and tensions during a rough weather system, from an awe for the power and drama of the storm, to the final soothing stages when the worst is over and it's just rain. There are also songs like "Windstorm" by School of Seven Bells that have interesting, mysterious sounds to them, not unlike the weirdness you hear in a storm. And then to close out, I picked "Rise to the Sun" by Alabama Shakes, partly because it's the perfect segue from "Surrender to the Storm," but also because the morning can be the best consolation.

Anyway, Happy Tornado Season.

PS ("Weather of a Killing Kind" by the Tallest Man on Earth might not show up on Spotify.)