Showing posts with label Green Day. Show all posts
Showing posts with label Green Day. Show all posts
Friday, April 2, 2010
The Last of the American Girls : Green Day
Here's Green Day's latest video venture, "The Last of the American Girls." It's okay. It centers around a day in the life of said American girl, and takes place in the middle of a desert. They definitely did a good casting job on the lead-- she just looks a like trouble, but the dancing blondes were a little off the mark. They probably would not have been missed. Anyway, check it out.
Question: How does one go about earning the title "natural disaster?"
Wednesday, December 16, 2009
The Musically Inclined's Top Albums of the Decade
Several weeks ago, every music publication and their mother('s publication?) started putting out "best of the decade" lists. Of course, until that moment I hadn't actually thought about the fact that the decade was ending until Bob Boilen was waxing nostalgic about OutKast or whatever.
That said, if everybody's doing it (always solid justification to do anything), TMI would be remiss not to throw together a completely subjective list of albums from this first decade of the millennium, in the effort to celebrate (and to impress the reader-- more solid justification) the finer points of the past ten years.
Criteria: Must own album.
Note: I got 99 albums and Jay-Z ain't on one. Or Bon Iver. Or any White Stripes before 2006. Never bought the Arctic Monkeys album. Refused to buy anything by Arcade Fire. No, Wilco is not on this list either.
So here, not truly grounded in anything but my mood this afternoon, are The Musically Inclined's Top Albums of the Decade.
Send your eye-rolling grievances to
themusicallyinclined@gmail.com.
Much love,
Erin

Everyone always raves about Come on Feel the Illinoise, but Greetings from Michigan was the album TMI was interested in. It was partly due to my undying love for states that look like articles of clothing, but mostly it was because when I heard it, I knew Stevens hit Michigan on the head. Things have been rough up there, but there's a lot of natural beauty when you get past the economically depressed cities. Stevens managed to balance some of the grim realities of Michigan, with a sound that matched icicles on tree branches and the gorgeousness that is the Upper Peninsula. Plus, TMI first heard "For the Widows in Paradise, For the Fatherless in Ypsilanti" on The O.C. in the Spring of '06. It felt significant.

Still the best Death Cab for Cutie album to date. More refined than their way early sound on Something About Airplanes, yet these were the edgier days before computers took over on Plans. Transatlanticism is Death Cab for Cutie at its best. Of course, this is not to say that TMI wasn't crazy about Plans... in fact, TMI would probably buy a box set of the band tuning their guitars, but really. Just about every song on Transatlanticism is a winner - "The Sound of Settling," "Expo '86," "Title and Registration," "Passenger Seat"-- this is the place to start if you haven't already.

Random country album? Maybe. Back in the day before The Dixie Chicks wrote mildly bitter songs about being wronged, they decided to go acoustic on their (in their current line up) third album, Home. It was ridiculously good-- a reprieve form that glitzy glossy commercial crap that passes for country these days. It was a little bit rootsy, a little bit folksy, but mostly just really solid. From "Long Time Gone," to the cover of Fleetwood Mac's "Landslide," to "Lil' Jack Slade," to the super powerful "Top of the World," The Dixie Chicks laid down the direction that country music should have gone in-- "More Love," less Miley.

It was like those angsty kids in middle school grew up a (little) bit and made a somewhat serious statement. Who knew? Between "Give Me Novacaine," "Tales of a Broken Home," and "Boulevard of Broken Dreams," we started to get a grim picture of a generation raised by the media and popular culture. Or you could just sing along and pretend like you're angry. That's fun too.
Room for Squares was an album for lusty teenage girls. Heavier Things spoke of potential. Continuum was the product of not a teen heart throb or one more drippy, sensitive singer, but of a highly talented guitarist and lyricist. Continuum was bluesy and soulful in a manner we didn't think Mayer was capable of, and it put him on track for "guitar great" status. Continuum is so rich, I only like to listen to it on occasion-- don't want to take it for granted. I also treat mangoes that way, but that's a separate issue.
I bought this album after hearing the Garden State soundtrack for the first time a few years back (and who didn't?!). "Australia" is my most-played song on iTunes-- which is funny because I can never remember specific times when I've listened to this album. It's like an unconscious instinct pulls me back to Wincing the Night Away and I gladly follow. Cryptic, catchy, lightly sprinkled with 60's Brit pop, TMI eagerly awaits whatever James Mercer (and whomever he's wrangled for the line up) releases next.

Describing The National as "orchestral pop" does not do the band justice. Sophisticated sounds back the uncertainty of drifting into an oblivion of adulthood. Beautiful, often poignant imagery almost makes you want to be 30, if only for the drama and doomed romance of blue blazers, swanky apartment parties, and friends you can barely recognize anymore. Also, there seems to be a critical consensus that front man Matt Berninger's voice sounds like a variety of liquors. How could they go wrong?
Which albums made your list?
That said, if everybody's doing it (always solid justification to do anything), TMI would be remiss not to throw together a completely subjective list of albums from this first decade of the millennium, in the effort to celebrate (and to impress the reader-- more solid justification) the finer points of the past ten years.
Criteria: Must own album.
Note: I got 99 albums and Jay-Z ain't on one. Or Bon Iver. Or any White Stripes before 2006. Never bought the Arctic Monkeys album. Refused to buy anything by Arcade Fire. No, Wilco is not on this list either.
So here, not truly grounded in anything but my mood this afternoon, are The Musically Inclined's Top Albums of the Decade.
Send your eye-rolling grievances to
themusicallyinclined@gmail.com.
Much love,
Erin
Greetings from Michigan : Sufjan Stevens : 2003

Everyone always raves about Come on Feel the Illinoise, but Greetings from Michigan was the album TMI was interested in. It was partly due to my undying love for states that look like articles of clothing, but mostly it was because when I heard it, I knew Stevens hit Michigan on the head. Things have been rough up there, but there's a lot of natural beauty when you get past the economically depressed cities. Stevens managed to balance some of the grim realities of Michigan, with a sound that matched icicles on tree branches and the gorgeousness that is the Upper Peninsula. Plus, TMI first heard "For the Widows in Paradise, For the Fatherless in Ypsilanti" on The O.C. in the Spring of '06. It felt significant.
Tranatlanticism : Death Cab for Cutie : 2003

Still the best Death Cab for Cutie album to date. More refined than their way early sound on Something About Airplanes, yet these were the edgier days before computers took over on Plans. Transatlanticism is Death Cab for Cutie at its best. Of course, this is not to say that TMI wasn't crazy about Plans... in fact, TMI would probably buy a box set of the band tuning their guitars, but really. Just about every song on Transatlanticism is a winner - "The Sound of Settling," "Expo '86," "Title and Registration," "Passenger Seat"-- this is the place to start if you haven't already.
Home : Dixie Chicks : 2003

Random country album? Maybe. Back in the day before The Dixie Chicks wrote mildly bitter songs about being wronged, they decided to go acoustic on their (in their current line up) third album, Home. It was ridiculously good-- a reprieve form that glitzy glossy commercial crap that passes for country these days. It was a little bit rootsy, a little bit folksy, but mostly just really solid. From "Long Time Gone," to the cover of Fleetwood Mac's "Landslide," to "Lil' Jack Slade," to the super powerful "Top of the World," The Dixie Chicks laid down the direction that country music should have gone in-- "More Love," less Miley.
American Idiot : Green Day : 2004

It was like those angsty kids in middle school grew up a (little) bit and made a somewhat serious statement. Who knew? Between "Give Me Novacaine," "Tales of a Broken Home," and "Boulevard of Broken Dreams," we started to get a grim picture of a generation raised by the media and popular culture. Or you could just sing along and pretend like you're angry. That's fun too.
Room for Squares was an album for lusty teenage girls. Heavier Things spoke of potential. Continuum was the product of not a teen heart throb or one more drippy, sensitive singer, but of a highly talented guitarist and lyricist. Continuum was bluesy and soulful in a manner we didn't think Mayer was capable of, and it put him on track for "guitar great" status. Continuum is so rich, I only like to listen to it on occasion-- don't want to take it for granted. I also treat mangoes that way, but that's a separate issue.
In Rainbows : Radiohead : 2007


Maybe it's that I'd never listened to Radiohead seriously before. Maybe it's their avant garde marketing strategy. Maybe it's the way "15 Steps" is some strange breed of entrancing and infectious. "Videotape," "House of Cards"-- being classified as "un-radio friendly" never sounded so appealing.
I bought this album after hearing the Garden State soundtrack for the first time a few years back (and who didn't?!). "Australia" is my most-played song on iTunes-- which is funny because I can never remember specific times when I've listened to this album. It's like an unconscious instinct pulls me back to Wincing the Night Away and I gladly follow. Cryptic, catchy, lightly sprinkled with 60's Brit pop, TMI eagerly awaits whatever James Mercer (and whomever he's wrangled for the line up) releases next.
Boxer : The National : 2007

Describing The National as "orchestral pop" does not do the band justice. Sophisticated sounds back the uncertainty of drifting into an oblivion of adulthood. Beautiful, often poignant imagery almost makes you want to be 30, if only for the drama and doomed romance of blue blazers, swanky apartment parties, and friends you can barely recognize anymore. Also, there seems to be a critical consensus that front man Matt Berninger's voice sounds like a variety of liquors. How could they go wrong?
Which albums made your list?
Posted by
Erin Carson
at
7:33 PM
0
comments
Tags:
Death Cab for Cutie,
Dixie Chicks,
Green Day,
John Mayer,
mangoes,
Radiohead,
Sufjan Stevens,
The National,
The Shins
Friday, December 4, 2009
21 Guns Gets Musical Treatment
Spinner debuted a new version of "21 Guns" today-- one recorded by Green Day and the cast of the new American Idiot musical. It's interesting. One would think that Green Day would be against musical theater type pomp and over earnest "ahhhs," but who knows. They can be pretty theatrical themselves-- and obviously this project's been brewing a while. Perhaps this is one of those situations where the song (or whatever) is good in its own right. Or not. Maybe it kind of sucks. You decide.
Check it out here.
Check it out here.
Tuesday, December 11, 2007
Green Day is Headed for the Studio

It certainly seems as though there has been an abundance of announcements recently. The latest of which comes courtesy of Yahoo news: Green Day is going to be back in the studio in January.
These 3 are a talented bunch and I'm not talking about their musical ability. Somehow they manage to maintain that whole "I'm really pissed off" persona but then turn around and act like they care by getting involved in Instant Karma and what not. Remember their participation in "Across the Universe" after Katrina? Even their site has links to Greenpeace, USA Harvest, and ONE-- and I know there's stuff I'm forgetting. We have on our hands a socially conscious band who still hates everyone in the true spirit of the punk genre. Points for being a complete paradox.
No release date has been announced, so really-- who knows? Also, they're casting off the themes from American Idiot (leaving me to wonder what's left to complain about).
We'll see where this goes, folks. Stay tuned.
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