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Wednesday, March 27, 2013

Review: 'Nashville' : 'When You're Tired of Breaking Other Hearts'



After almost a month of reruns, we finally got a fresh episode of Nashville tonight. I'll be honest, it was a wincer. Here's what happened.

When we left off, Juliette's assistant had shoved a puppy in Deacon's arms and walked away. Picking back up, we find Deacon singing to the poor dog, trying to soothe the adorable little beast. Unsure what  else to do, he takes it to the animal hospital where the vet just happens to be young-ish and blonde. She is weirdly crabby, hates on country music, and mocks Deacon for being a musician, but you immediately know where this damn thing is going. He asks her out for lunch and apparently "lunch" is the code word for doing the nasty in Nashvegas. (It's not.) As the pair put their clothes back on at his place a little while later, vet lady protests that she usually doesn't do this and then leaves inexplicably pissed just after she snaps at him to name his dog. I found her character to be confusing and I started to backtrack to figure out what went wrong seeing as how she was by no means obligated to even hit up Baja Fresh with him, let alone sleep with him, but then I remembered Nashville's tendency to introduce and quickly dispose of characters, so I stopped worrying. Later on, Deacon sits on his front porch with Coleman who advises him not to sleep with the vet (too late!) and delivers the following analysis of why Deacon prefers the ol' one night stand: "You try and keep yourself available for Rayna." He follows that up with: "You're strung out on Rayna Jaymes."


Deacon later goes back to the animal hospital and asks the vet out on a proper date. She is not amused at his whole "Dog named Sue" joke.

Meanwhile in the Bluebird universe, Gunnar and Scarlett wake up the morning after their weird grief/sex escapade. In this episode, Gunnar does everything to make the audience hate him. He tells her that what they did didn't have to mean anything. He goes to the police station to see if they've caught Jason's murderers, but the cop basically tells him it's unlikely. Jason was a bad guy in a bad place and there are innocent murder victims out there who need more attention. This upsets Gunnar who decides to go m.i.a. on the day he and Scarlett are supposed to audition for Rayna's label. After a bajillion worried phone calls, she's forced to perform alone. That night Gunnar comes home drunk and they have a skirmish where she tells him, Yo, I get you're grieving, but that doesn't mean you can treat me like crap. He generally acts like a shit, pushes her off him when she tries to hug him, and leaves. Next thing you know, Scarlett is pounding on Deacon's door because she thinks that Gunnar's gone off to do something stupid. They rush off to find Gunnar with his hood up (because he's a badass) lurking outside the bar Jason had gone to before he died. Deacon busts out a story about blaming himself for getting his best friend killed in a car accident. We go WHOA WHAT. After spinning some poetry about getting dark and twisty, Deacon tells Gunnar, "You want to hang on to something, hang on to her [Scarlett]." Gunnar and Scarlett go home. He apologizes but she affirms that the other night was indeed a mistake. Later on that night, they meet in the kitchen because LOVE. In case you're all awww, Scarlett gets a call the next morning that she's been signed as a solo act. I hate Gunnar now, so I'm not upset about it.

Juliette is upset though, only it's directed at the record label because their digital plan is not cutting edge enough. She takes it into her own hands to tweet about playing what was supposed to be a small gig at awesome-store-in-the-Gulch Two Old Hippies. The place gets packed. Deacon makes worried faces and sees Maddie in the crowd even though she's supposed to be grounded. The crowd gets pushy and Maddie gets pinned under a smallish shelf, sending Deacon cutting through the crowd pull her out. It's been rough lately for the kid. The Jaymes household continues to crumble. Rayna and Teddy will take shifts at the house with the girls. Maddie calls her mother a bitch, blames her for Teddy leaving, and it just all sucks. Deacon takes Maddie to the hospital and Rayna and Teddy rush over. It's awkward, especially when Rayna thanks Deacon and he tells her Maddie is like family.

Family? Why would you say that?
Still, Rayna and Teddy clash about her staying away that week because it's Teddy's turn. Thankfully, the pettiness subsides somewhat when Rayna turns up at the house again that night with her sentimentality and a guitar for Maddie.

Meanwhile at camp Barnes, there is mucho fallout from the show and the multiple injured teeny-boppers. Rayna even calls to yell and tell her "You hurt people around you all the time!" Other stuff happens on the road to emotional recovery between Addiction Counselor, Druggie Mom, and Juliette. The end result is that Juliette is taking them both on tour and picking up the hospital bills for the kids since she kind of incited the whole thing.

Hmm.. what else. Earlier, Teddy had a presser announcing Coleman as Deputy Mayor. I half expected Lamar to be hanging upside down from the rafters bearing his fangs. Later, Lamar busts in the mayor's office drawing power from the mahogany walls. He wants to know about plans for building the stadium since Coleman opposed it. They're doing it, but not on Lamar's land. Coleman and Teddy look like boys being reprimanded by dad. This show tries so hard to push the political intrigue, but it's so boring.

Much like Avery! So boring. Dominic continues to bulldoze him. He literally utters the words  "Nashville meets dubstep." Long story short, after Dominic tells Avery he owns him and his music, Avery steals his tapes and torches them. He gives back the car and $75K as Dominic yells threats. Finally, Avery turns up at the Bluebird to sing a song about learning life lessons.



Stray Observations:
+ "Nashville meets dubstep." LULZ
+ To be honest, I would have put Gunnar's ass on the street after that whole mess.
+ Rayna stopping by Katie Couric's new show was a worthless bit of ABC synergy.
+ I think Deacon's revelation about his buddy's death is supposed to further cement the parallels between Deacon and Rayna and Gunnar and Scarlett. I wish they'd stop.


Saturday, March 23, 2013

Noah and the Whale Ready New Album

I can't even understand how this got by me. Noah and the Whale announced their fourth album Heart of Nowhere, out May 6. Here's a trailer they released a bit back. If you're looking for some indication of where they're going, you probably won't find it here.



Better yet, check out the first video from the album. The song is "There Will Come a Time." Along with the album, the band is releasing a short film directed by frontman Charlie Fink. It's got a definite Orwellian vibe.




Thursday, March 21, 2013

Catchy TV Commercial Songs | Review: Caitlin Rose

Here are a couple items from recent editorial efforts elsewhere.



First up, I did a feature on the 10 catchiest songs from TV commercials lately. Besides curating the list, I got to talk to Nashville artist Keegan DeWitt about JC Penneys using his (excellent) song "Say La La"for an Oscars campaign.

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Speaking of Nashville artists, I also got to spend some time with the new Caitlin Rose album, The Stand-In.  Check out what I had to say about her solid sophomore offering.

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Wednesday, March 20, 2013

Dawes Play Grimey's Too

Props to my friend Emily for taking this for me.
For weeks I've been looking forward to catching Dawes play an in-store performance at Grimey's Too here in Nashville. So after standing in a line outside in the cold, 150ish people crammed into Grimey's new indie bookstore extension where it was considerably warmer and brighter. Dawes played for just about an hour, opening with "From a Window Seat" and hitting a bunch of new tracks from their April 9 release Stories Don't End, including "Just My Luck," "Something in Common," "Hey Lover," "Someone Will," and "Most People." They also worked in "Time Spent in Los Angeles" and closed with "A Little Bit of Everything" from Nothing is Wrong. 

There was a lot to enjoy about the afternoon. For pre-ordering the album earlier in the month to get a spot at the show, the audience also recieved really nice screen press posters to get signed. It was also exciting to see these guys in a smaller space. Since they've just announced a Ryman show June 9, I get the idea it's all up from here.


Dawes is an easy band to love. Especially after seeing them live, you get a picture of how solid their musicianship is. Plus, the lyrics. They always get me. There's so much music I like, but Dawes' songs fall into the category of music I react to. I'm particularly crushing on "Most People." There are a couple of lines that go "Most people don't talk enough about how lucky they are. Most people don't know what it takes for me to get through the day." That's some good drama.

Anyway, if you weren't there, you can hear several songs the band played earlier in the afternoon for local radio station Lightning 100 at a secret show.

Monday, March 18, 2013

Natalie Maines to Release Solo Album



In the process of consuming massive amounts of SXSW coverage the past week, I stumbled on one final news bit of interest this morning. Natalie Maines, formerly the lead singer of the Dixie Chicks, is releasing a solo album called Mother on May 7 with help from Ben Harper.

Off the bat, I'm excited. I always thought the way the Dixie Chicks' career flamed out after Maines' comments about Bush and the Iraq war was a shame. So many other artists survive sex scandals, drug scandals, etc., it seems absurd to think about a flap like that lasting more than 48 hours.

And yet, there's a sense that it's still not over. The Washington Times did a story on Maines at SXSW and the picture painted is one of a singer who is still in recoil, muted by the severe blowback from a decade ago. The writer even mentions that Maines was the one to bring it up in their interview. That's a bummer because I wish she could shake it off. Natalie Maines as damaged was never the image she conjured. She was fiery and her voice could bowl you over with its sheer power.

Anyway, back to the album. You can check out the electronic press kit above. It seems like working with Ben Harper's been a good thing. After hearing a few tracks, I'm excited about Maines making more rock-bent Americana. The Washington Times article aslo said that Mother will feature multiple covers including Eddie Vedder's "Without You," Pink Floyd's "Mother," and Jeff Buckley's "Lover, You Should Have Come Over."

Friday, March 15, 2013

A Downside to Songwriting?


For the past week I've been spending a lot of time thinking and writing about Death Cab for Cutie's fourth album Transatlanticism because I'm working on a piece about its ten-year anniversary. While researching, I found an article in Spin where frontman Ben Gibbard talked about getting sober. What really struck me is how he lumped in the emotionally-draining processes of writing songs with the self-destructive habit of drinking. He went as far to say "Once you realize that a positive act [getting sober] helps to balance out the negative act of being a writer, you become a more balanced person emotionally."

I've talked to a lot of songwriters of the past few years, and I've never heard any of them describe their trade as something negative. Gibbard's quote really fascinated me because most of the time writing is framed anything from a love of storytelling, to therapy, to straight up catharsis. Though, Gibbard's words did bring to mind a George Sands quote I wrote down some time ago: "The writer's trade is a violent, almost indestructible passion. Once it has entered a poor head, nothing can stop it." While I've never written a song, I've written a lot of other things ranging from fiction to lengthy non-fiction features. Weirdly, I've always liked the idea of there being something slightly sinister about writing because it's hard not to wonder how anything that requires so much stress, anxiety, and emotional output could be remotely healthy.

Anyhoodle, I thought this was something worth pondering. Obviously, no, songwriting is not unhealthy. I hope.

Review: 'Wild Chorus' by Anders and Kendall

My favorite thing to say about what happened to Americana in the past ten years is that it came in from the fringes. Check out the other things I said about the genre and where this lovely little album fits in it.

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